This consists of 36 measurement points, and the user will have to move the microphone around as the speaker will play back numerous sweeping tones. Measuring by the appropriately-named accompanying software SoundID Reference Measure, which will take the user through a short tutorial for setting up the audio interface, monitors and microphone, then proceed to the actual measurement process. That might sound a bit daunting, but fear not, it’s nothing to be afraid of and the process requires little effort. In practical terms, this means users have to take care of the analysis part and measure the frequency response of their room-speaker systems. For loudspeakers or studio monitors it’s an entirely different game as the room matters as much as the monitors, and they’re both equally important parts of a shared system. In order to get that flat, neutral, sound we should correct the frequency response of our monitoring systems, and for that we need to first analyze them and then apply a fix.Īddressing this issue on headphones is quite easy: they’re standardized, uniform, factory-made items, so Sonarworks can grab as many as possible and analyze them at their facilities in Latvia to provide users with the appropriate corrections. The key premise here is that a neutral sound is something we should try to achieve in order to facilitate the translation from our professional studios to the customer listening to the final product. They all will have slightly different frequency response.SoundID Reference follows a few underlying principles and presents a method to address what it considers to be a big problem: our monitoring systems are somewhat flawed and this works against us when our purpose is to deliver content that is meant to be enjoyed on an infinite number of reproduction systems. I also use the headphone preset on my M50x when I am at coffee shops or just away from home and it also helps make those more neutral although milage may vary since there is a margin of error on all of those headphones. Of course resonances still exist in the new room but setting levels and EQing is far easier. It helped with bass problems and made my listening position a lot more neutral. I applied a new calibration and found the same results. As well as making the high end seem a bit more clear and defined.Īs of a few months ago I moved into an apartment and used a lot less of my acoustic treatment. After calibrating it felt pretty much like a new room and I found that setting bass levels was far easier to get right on the first try.
I used it like that for about 4 years before picking up the measurement mic and sonarworks. I started using it over 6 months ago in a fairly heavily treated room with a 6dB drop at like 70hz and a bit of a boost at roughly 300hz.
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